Vojtěch Kovařík’s exhibition ‘The Labours of Hercules’ at Mendes Wood DM tells the story of one of art history’s most frequently illustrated iconographical subjects. Although the title alludes to the 12 tasks carried out by the classical hero Hercules as penitence for having killed his wife and children – after his stepmother, Hera, turned him temporarily insane – only one of the 12 paintings on display directly references its subject (Hercules Dips his Arrows in the Hydra’s Poisonous Black Blood, all works 2023). In marked contrast to the exalted attitudes of most representations of the scene, Kovařík does not depict Hercules triumphantly in medias res. Rather, the viewer is treated to a quiet, even melancholic portrayal. The massive, marble-white figure of Hercules is almost too big to be contained within the picture frame, and there is a look of forlorn concentration on the hero’s face.