All tagged Palais de Tokyo
Lili Reynaud-Dewar had to go to Scotland to learn about France. The artist, born in La Rochelle on the western coast of France in 1975, moved to the UK to study for a masters in fine art at the Glasgow School of Art in 2001. “I didn’t realise until then how male-dominated the French contemporary art word was. There were artists that I admired very much, but there was very little place for women,” she says.
Maxwell Alexandre’s exhibition “New Power,” currently on view at the Palais de Tokyo in Paris through March 20th, was inspired in part by the 2018 music video for “Apeshit” by Beyoncé and Jay-Z. The hip-hop couple’s triumphant traipsing through Europe’s most famous museum, the Louvre, reignited conversations about the sociology of museum visitors; the value and accessibility of culture; and above all, the tension between the museum’s pretentions of being a democratizing, educational space despite the troubled histories of colonialism and plunder that had built up its collections. The global resurgence of racism and xenophobia, exemplifed by the presidencies of Donald Trump in the United States and Jair Bolsonaro in Brazil, seemed to lend these concerns additional urgency.
At 28-years-of-age, Cédric Fauq is the Palais de Tokyo’s newest and youngest curator. One of two new staff appointments by the Parisian contemporary art center’s new director Emma Lavigne, Fauq distinguished himself with a short but illustrious tenure at Nottingham Contemporary, as cofounder of the independent London space clearview.ltd and as co-curator of the Baltic Triennial 13.
For the fourth iteration of the Palais de Tokyo’s ‘Carte Blanche’ series – where a single artist is invited to transform the entirety of the Paris museum’s cavernous 13,000 m2 exhibition space – Berlin-based Argentinian artist Tomás Saraceno has conceived a massive black and white parcours. His installations encourage visitors to reflect on their place within the infinitely complex networks that structure our existence, from the minutiae of dust particles and the vibrations of spiderwebs to the collisions of galaxies in the universe. In so doing, the exhibition, which is titled ‘On Air’, explicitly situates itself within the ecologically conscientious conversations around climate change and humanity’s changing relationship to nature in the age of the Anthropocene.